潮汐圖鑑
媒材｜LED、互動App、系統整合
尺寸｜雙塔各約8×15.2 (m)
桃園地景藝術節｜夜晚限定
永安海岸潮間帶散布著大小潮池，每個潮池是自成體系的微型生態圈，被礁石分隔卻共享同一片海岸的潮汐韻律。《潮汐圖鑑》以此為原型，將觀光漁市兩座圓形觀景塔轉化為一對「數位潮池」——左塔與右塔各自獨立，但同步呼吸於相同的潮汐數據之下，中央段保留原貌如礁石般分隔兩池。
當觀眾踏入互動區，透過釣魚浮標進行體驗——以手勢拋線、等待咬餌，捕獲白鯧、土魠、小卷等在地漁獲。
同時，《潮汐圖鑑》回應永安海洋客家文化中「牽罟」與「石滬」的傳統捕魚智慧，將觀看轉化為涉入，使人與海的關係從再現走向共構。
Taoyuan Land Art Festival｜Nighttime Only
The Yong’an coastline is characterized by its intertidal zones and tide pools—micro-ecosystems that operate independently while sharing the collective rhythm of the sea. Tidal Atlas reinterprets this natural phenomenon by transforming the two circular observation towers of the tourist fish market into a pair of “Digital Tide Pools.” While the left and right towers function as distinct spatial entities, they are synchronized by real-time tidal data, pulsating in harmony with the ocean’s breath. The central segment remains untouched, acting as a symbolic reef that separates the two pools.
When visitors enter the interactive zone, they engage with the work through digital fishing floats—casting lines with gestures, waiting for a bite, and catching local species such as silver pomfret, narrow-barred Spanish mackerel, and neritic squid.
At the same time, Tidal Atlas responds to the traditional fishing wisdom of “beach seining” and “stone weirs” within Yong’an’s Ocean Hakka culture. By transforming the act of viewing into an act of involvement, the work shifts the relationship between people and the sea from representation toward co-construction.
創作團隊｜黑川互動媒體藝術
藝術總監｜胡縉祥
專案管理｜胡海晴
LED 視覺｜胡縉祥、蕭孟恩
互動程式｜胡縉祥
介面設計｜蕭孟恩
硬體統籌｜李敏弘
硬體執行｜李敏弘、陳煜昇、胡縉祥、胡海晴
LED工程｜青田系統科技、吳浩宇
攝影團隊｜黑鳥音像
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2026 桃園地景藝術節
主辦單位｜桃園市政府文化局
策展團隊｜桔禾創意整合有限公司
媒體報導
典藏藝術
