2024 桃園科技藝術節 「記憶編碼器」
媒材｜ 擴散模型視覺生成、AI互動程式、即時視覺、投影機、雷射、電腦、網路、喇叭、煙機、觸控螢幕、攝影機、客製台座
尺寸｜ AI生成投影 Ø400x400cm、互動檯座 Ø50×120(h)cm
Media｜Diffusion Model, AI Interactive Program, Real-time Visual, Projector, Laser, Computer, Internet, Speaker, Smoke Machine, Touch Panel, Camera, Pedestal
Size｜ Projection Ø400x400cm, Pedestal Ø50×120(h)cm. *Dimensions Variable
以音像與互動AI生成技術結合，觀察集體生命的經驗，並透過數據重塑來生成視覺再現。作品《記憶編碼器》嘗試將群體的經驗片段存儲在意識資料庫中，所有者主動上傳，讓作品重塑其個體的經驗，通過擴散模型演算，生成第三者視角的視覺，並展示出情感經驗的多樣，反映作品以集體意識仿造真實。
思考如全像理論，我們的經驗與感知世界是由集體意識構建的投影畫面。每個人的感知經驗如同AI數據節點，作品作為連接個體與集體資料的橋梁，將體驗資料以影像生成、轉化、流動、融合，來投射出部分視角。透過上傳觀眾手機中美好經驗照片至作品，作品被視為集體意識的一種集合，觀眾與作品之間的連接，也反映AI個人與群體透過數據共享、建立聯合製造的模式。
AI能夠演算的資料模型，可以被視為奇異點，儲存和壓縮集體的經驗和記憶，轉化為集體意識的投影，能夠改變文明的發展軌跡。作品「記憶編碼器」提出這變革的一種可能和觀點。
By the combination of audiovisual and the generation techniques of interaction AI to observe the collective life’s experience. The artwork “Memory Encoder” considers saving the fragments of life experiences into an consciousness database, the owner of it will initiative update, in order to reconstruct the individual experience from the artwork. Through the calculation of diffusion models in the artwork, generate the sight of third party perspective, and displace the variety of emotional experiences, convey the artwork creating the realistic by imitating the community.
Thinking is like a holographic principle, our experience and perception is the projection of collective consciousness. Each perception experience likewise each AI data node, the artwork acts as the bridge in connecting the individual to the collective database, to use the experience data projected a portion of perspective in terms of generate, convert, dynamic and fuse. Through the updating of joyful experience pictures into the artwork from the audiences, the artwork will be viewed as a collection of consciousness. The connection of audiences with the artwork also illustrates the AI itself and the collective construct the mode of joint manufacturing by sharing data.
The data model can be calculated by AI shows as a singularity. Save and compress the collective experiences and memories, convert to the projection of the collective consciousness, these are able to exchange the pathway of evolution in civilization. Therefore, the artwork “Memory Encoder” is here to mention the possibility of evolution and perspective.
創作團隊｜黑川互動媒體藝術
藝術總監｜胡縉祥
互動總監｜張兆慶
專案管理｜陳雅甄、王柔珺
AI生成視覺 | Tiger Chen
互動程式｜張兆慶、李敏弘、Tiger Chen
雷射設計｜李語豪
聲響設計｜韓承燁
介面設計｜施威任
機台設計｜許峻瑋
硬體統籌｜李敏弘、許峻偉
投影系統｜青田系統科技
音響工程｜漢威燈光音響
行銷社群｜張莉莉
影像記錄｜黑鳥音像
影片模特｜陳品妤
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TAxT桃園科技藝術節《超智域－一場人與AI的競賽》
指導單位｜桃園市政府、桃園市議會
主辦單位｜桃園市政府文化局、桃園市政府藝文設施管理中心
贊助單位｜GIGABYTE、NVIDIA
策展人｜羅禾淋
策展執行 | 藝高文創、Kissun
Creative Team｜ Peppercorns Interactive Media Art Inc.
Artistic Director｜ Chin-Hsiang Hu
Interactive Director｜ Zhao-Qing Chang
Project Management｜ Ya-Zhen Chen, Jou-Chun Wang
AI-Generated Visuals｜ Tiger Chen
Interactive Programming｜ Zhao-Qhing Chang, Min-Hung Lee, Tiger Chen
Laser Design｜ Yu-Hao Lee
Sound Design｜ Cheng-Yeh Han
Interface Design｜ Wei-Jen Shih
Machine Design｜ Chun-Wei Hsu
Hardware Coordination｜ Min-Hung Lee, Chun-Wei Hsu
Projection System｜ Ching Tyan Technology Co., Ltd.
Audio Engineering｜ Hanwan Lighting&Sound Co., Ltd.
Marketing and Social Media｜ Li-Li Chang
Video Documentation｜ Blackbird Imagine & Studio
Model｜ Pin-Yu Chen
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2024 TAxT Super Intelligence – A Competition Between Humans and AI
Supervisor｜ Taoyuan City Government, Taoyuan City Council
Organizer｜ Taoyuan City Department of Cultural Affairs, Taoyuan Arts Facility Management Center
Sponsor｜ GIGABYTE, NVIDIA
Curator｜ He-Lin Luo
Curatorial Execution｜ iEGOART INC., Kissun
